Hamlet: to Be, or Not to Be: Movie Analysis Essay

Branaghs vision of William Shakespeares famous To be, or not to be, monologue manifests critical points displeasure with himself as he debates eternal sleep the fall up of this prognosis contributes significantly to the stirred up impact and symbolism. The lack of euphony and enceinte in the beginning forces the audiences attention towards the soliloquy. The quietness in the look also exhibits how juncture is wishing for a quiet death, suicide. Walking slowly towards the two-party reflect, while he professes his conflicted feelings, the camera follows steady over his shoulder, only filming hamlets reflection. The soliloquy stands al unmatched as a reflection, critical point is reflecting on his feel and the options he has, To die, to sleep / No to a greater extent and by a sleep to regulate we end (3.1 68-69). The mirror reflection stands as a symbolic example of Hamlets self reflection and his bet to find the answer within himself.Hamlet criticizes himself while st aring deeply at his own reflection in mirror, still though he is aware of Claudius catty acts. Blaming himself for not taking action yet, therefore conscience does key out cowards (3.1 91), and focusing on his faults he is making himself to be the baddie and tormenting himself. The true reason for his misery is Claudius actions, and Claudius, the one behind it all- metaphorically and physically- stands behind the mirror as Hamlet criticizes himself. Branaghs looking at of voice and body language drill emotions in the scene making Hamlets true feelings apparent.Half dash through the soliloquy, suspenseful classical music begins to play, adding intensity to Hamlets dark description of the unneeded burden of life and his ambiguous savvy to why a person would play such suffering, For who would bear the whips and scorns of time, / Th oppressors wrong, the proud mans contumely, (3.1 78-79). there are few actions Hamlet makes in the scene but the movements he does make are signif icant. Calmly stating, Or to find out arms against a sea of troubles / And, by opposing, end them, (3.1 67-68) as he raises a clenched fist in the air, illustrating his passion toward Claudius and passion to seek revenge is pictured through the small, but powerful guide gestures. It is indubitable that Branaghs version of this scene captures both the emotions and themes of Hamlet and his tortured character.